| # | 歌曲名称 | 艺术家 |
|---|---|---|
| 1 | 24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major | Igor Levit |
| 2 | 24 Preludes and Fugues, Op. 87: Fugue No. 1 in C Major | Igor Levit |
| 3 | 24 Preludes and Fugues, Op. 87: Prelude No. 2 in A Minor | Igor Levit |
| 4 | 24 Preludes and Fugues, Op. 87: Fugue No. 2 in A Minor | Igor Levit |
| 5 | 24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major | Igor Levit |
| 6 | 24 Preludes and Fugues, Op. 87: Fugue No. 3 in G Major | Igor Levit |
| 7 | 24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor | Igor Levit |
| 8 | 24 Preludes and Fugues, Op. 87: Fugue No. 4 in E Minor | Igor Levit |
| 9 | 24 Preludes and Fugues, Op. 87: Prelude No. 5 in D Major | Igor Levit |
| 10 | 24 Preludes and Fugues, Op. 87: Fugue No. 5 in D Major | Igor Levit |
| 11 | 24 Preludes and Fugues, Op. 87: Prelude No. 6 in B Minor | Igor Levit |
| 12 | 24 Preludes and Fugues, Op. 87: Fugue No. 6 in B Minor | Igor Levit |
| 13 | 24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major | Igor Levit |
| 14 | 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Igor Levit |
| 15 | 24 Preludes and Fugues, Op. 87: Prelude No. 8 in F-Sharp Minor | Igor Levit |
| 16 | 24 Preludes and Fugues, Op. 87: Fugue No. 8 in F-Sharp Minor | Igor Levit |
| 17 | 24 Preludes and Fugues, Op. 87: Prelude No. 9 in E Major | Igor Levit |
| 18 | 24 Preludes and Fugues, Op. 87: Fugue No. 9 in E Major | Igor Levit |
| 19 | 24 Preludes and Fugues, Op. 87: Prelude No. 10 in C-Sharp Minor | Igor Levit |
| 20 | 24 Preludes and Fugues, Op. 87: Fugue No. 10 in C-Sharp Minor | Igor Levit |
| 21 | 24 Preludes and Fugues, Op. 87: Prelude No. 11 in B Major | Igor Levit |
| 22 | 24 Preludes and Fugues, Op. 87: Fugue No. 11 in B Major | Igor Levit |
| 23 | 24 Preludes and Fugues, Op. 87: Prelude No. 12 in G-Sharp Minor | Igor Levit |
| 24 | 24 Preludes and Fugues, Op. 87: Fugue No. 12 in G-Sharp Minor | Igor Levit |
| 25 | 24 Preludes and Fugues, Op. 87: Prelude No. 13 in F-Sharp Major | Igor Levit |
| 26 | 24 Preludes and Fugues, Op. 87: Fugue No. 13 in F-Sharp Major | Igor Levit |
| 27 | 24 Preludes and Fugues, Op. 87: Prelude No. 14 in E-Flat Minor | Igor Levit |
| 28 | 24 Preludes and Fugues, Op. 87: Fugue No. 14 in E-Flat Minor | Igor Levit |
| 29 | 24 Preludes and Fugues, Op. 87: Prelude No. 15 in D-Flat Major | Igor Levit |
| 30 | 24 Preludes and Fugues, Op. 87: Fugue No. 15 in D-Flat Major | Igor Levit |
| 31 | 24 Preludes and Fugues, Op. 87: Prelude No. 16 in B-Flat Minor | Igor Levit |
| 32 | 24 Preludes and Fugues, Op. 87: Fugue No. 16 in B-Flat Minor | Igor Levit |
| 33 | 24 Preludes and Fugues, Op. 87: Prelude No. 17 in A-Flat Major | Igor Levit |
| 34 | 24 Preludes and Fugues, Op. 87: Fugue No. 17 in A-Flat Major | Igor Levit |
| 35 | 24 Preludes and Fugues, Op. 87: Prelude No. 18 in F Minor | Igor Levit |
| 36 | 24 Preludes and Fugues, Op. 87: Fugue No. 18 in F Minor | Igor Levit |
| 37 | 24 Preludes and Fugues, Op. 87: Prelude No. 19 in E-Flat Major | Igor Levit |
| 38 | 24 Preludes and Fugues, Op. 87: Fugue No. 19 in E-Flat Major | Igor Levit |
| 39 | 24 Preludes and Fugues, Op. 87: Prelude No. 20 in C Minor | Igor Levit |
| 40 | 24 Preludes and Fugues, Op. 87: Fugue No. 20 in C Minor | Igor Levit |
| 41 | 24 Preludes and Fugues, Op. 87: Prelude No. 21 in B-Flat Major | Igor Levit |
| 42 | 24 Preludes and Fugues, Op. 87: Fugue No. 21 in B-Flat Major | Igor Levit |
| 43 | 24 Preludes and Fugues, Op. 87: Prelude No. 22 in G Minor | Igor Levit |
| 44 | 24 Preludes and Fugues, Op. 87: Fugue No. 22 in G Minor | Igor Levit |
| 45 | 24 Preludes and Fugues, Op. 87: Prelude No. 23 in F Major | Igor Levit |
| 46 | 24 Preludes and Fugues, Op. 87: Fugue No. 23 in F Major | Igor Levit |
| 47 | 24 Preludes and Fugues, Op. 87: Prelude No. 24 in D Minor | Igor Levit |
| 48 | 24 Preludes and Fugues, Op. 87: Fugue No. 24 in D Minor | Igor Levit |
| 49 | Passacaglia on DSCH: Pars Prima: Sonata allegro | Igor Levit |
| 50 | Passacaglia on DSCH: Pars Prima: Waltz in rondo-form | Igor Levit |
| 51 | Passacaglia on DSCH: Pars Prima: Episode | Igor Levit |
| 52 | Passacaglia on DSCH: Pars Prima: Suite. Prelude – Sarabande – Jig – Sarabande. Minuet – Jig – Gavotte – Polonaise | Igor Levit |
| 53 | Passacaglia on DSCH: Pars Prima: Pibroch (Lament for the Children) | Igor Levit |
| 54 | Passacaglia on DSCH: Pars Prima: Episode. Arabesque Variations | Igor Levit |
| 55 | Passacaglia on DSCH: Pars Prima: Nocturne | Igor Levit |
| 56 | Passacaglia on DSCH: Pars Altera: Reverie-Fantasy | Igor Levit |
| 57 | Passacaglia on DSCH: Pars Altera: Fanfare – Forebodings. Alarm – Glimpse of a War-Vision | Igor Levit |
| 58 | Passacaglia on DSCH: Pars Altera: Variations on “Peace, Bread & the Land” (1917) | Igor Levit |
| 59 | Passacaglia on DSCH: Pars Altera: Symphonic March | Igor Levit |
| 60 | Passacaglia on DSCH: Pars Altera: Episode | Igor Levit |
| 61 | Passacaglia on DSCH: Pars Altera: Fandango | Igor Levit |
| 62 | Passacaglia on DSCH: Pars Altera: Pedal-Point. “To emergent Africa” | Igor Levit |
| 63 | Passacaglia on DSCH: Pars Altera: Central Episode. Études | Igor Levit |
| 64 | Passacaglia on DSCH: Pars Altera: Variations in C Minor | Igor Levit |
| 65 | Passacaglia on DSCH: Pars Tertia: Adagio. Tribute to Bach | Igor Levit |
| 66 | Passacaglia on DSCH: Pars Tertia: Triple Fugue over Ground Bass: Subject I. Andamento | Igor Levit |
| 67 | Passacaglia on DSCH: Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H | Igor Levit |
| 68 | Passacaglia on DSCH: Pars Tertia: Triple Fugue over Ground Bass: Subject III. Dies Irae (In memoriam the six million) | Igor Levit |
| 69 | Passacaglia on DSCH: Pars Tertia: Final Variations on a Theme Derived from Ground. Adagissimo barocco | Igor Levit |
专辑简介：《On DSCH》是一次伊戈尔·莱维特（Igor Levit）以前从未尝试过的唱片之旅。这位自称是“完美主义者”的音乐家喜欢把自己推到智力和体力上的极限。关于专辑的名称，DSCH这几个字母用其德语音符名称拼出了肖斯塔科维奇的音乐特点，这是一个神奇的音乐代码：DSCH – 肖斯塔科维奇的个人音乐座右铭，巧妙地从他的名字Dmitri SCHostakovich的德语名而来的。在德国的音乐符号中，S [sounding'es']是E flat，H是B natural，导致令人难以置信的四音符序列：D-E flat-C-B。专辑内收录的肖斯塔科维奇的《24首前奏曲和赋格》完成于1951年，可以被看作是对所有大调和小调总结的作品，总共持续了约两个半小时，而另一部由苏格兰作曲家罗纳德·史蒂文森完成于1963年的《DSCH帕萨卡利亚》，是一套不间断的变奏曲，也持续了近一个半小时。莱维特对这两套作品进行了多年的研究，并分别从2017年和2018年开始在音乐会上频繁演出。每一次演出都被誉为是一项卓越的成就。莱维特本人将肖斯塔科维奇这24首前奏曲和赋格曲描述为“一种音乐日记”。他说：“（作品）有一种完全独特的东西”，“作品中关于这种温暖、直接和纯粹的孤独的结合。对我来说，这是一种自我探索和自我发现的仪式，涉及到最亲密的问题”。作曲家罗纳德·史蒂文森是一个具有乌托邦式人生观的孤独者，他从钢琴的起点出发，开始环游世界。DSCH主题为他提供了一个基础，在三百多个变奏中，对各种钢琴和风格的可能性进行了壮观的调查。莱维特认为，帕萨卡利亚就是一部名副其实的生活汇编，一种告诉我们对整个世界责任的音乐。艺术家简介：伊戈尔·莱维特（Igor Levit），生于1987年，俄裔德国钢琴家，主要研究巴赫、贝多芬和李斯特的作品。他也是汉诺威音乐学院的一名教授。莱维特三岁时开始弹钢琴，小时候在家乡的音乐会舞台上取得了第一次成功。他的家人于1995年搬到汉诺威。1999年至2000年，他在萨尔茨堡的莫扎特学院跟随汉斯·莱格拉夫学习，2000年至2010年，在汉诺威音乐、戏剧和媒体学院跟随卡尔·海因茨·凯默林、马蒂·雷卡里奥和贝恩德·戈茨克学习。莱维特曾在世界各地的主要音乐厅和音乐节亮相。在学习期间，他在多个国际比赛中获奖，包括雅典国际玛丽亚·卡拉斯大奖赛二等奖（2004年）、滨松第九届滨松国际钢琴学院比赛一等奖（2004年）、基辛格Klavierolymp钢琴比赛二等奖（2004年）、特拉维夫Arthur Rubinstein国际钢琴大师比赛银奖和其他三个奖项（2005年）。2011年10月，他出现在3sat播出的一部45分钟的纪录片中，讲述他对李斯特音乐的热爱。2011年至2013年，他是英国广播公司第三台的新生代艺术家。
