# | 歌曲名称 | 艺术家 |
---|---|---|
1 | Piano Sonata in E-Flat Major, Op. 1, No. 1: I. Allegro con comodo | Giacomo Scinardo |
2 | Piano Sonata in E-Flat Major, Op. 1, No. 1: II. Tempo di Minuetto | Giacomo Scinardo |
3 | Piano Sonata in G Major, Op. 1, No. 2: I. Spiritoso | Giacomo Scinardo |
4 | Piano Sonata in G Major, Op. 1, No. 2: II. Allegro assai | Giacomo Scinardo |
5 | Piano Sonata in B-Flat Major, Op. 1, No. 3: I. Maestoso | Giacomo Scinardo |
6 | Piano Sonata in B-Flat Major, Op. 1, No. 3: II. Andantino grazioso | Giacomo Scinardo |
7 | Piano Sonata in F Major, Op. 1, No. 4: I. Spiritoso | Giacomo Scinardo |
8 | Piano Sonata in F Major, Op. 1, No. 4: II. Larghetto | Giacomo Scinardo |
9 | Piano Sonata in F Major, Op. 1, No. 4: III. Rondeau | Giacomo Scinardo |
10 | Piano Sonata in A Major, Op. 1, No. 5: I. Larghetto | Giacomo Scinardo |
11 | Piano Sonata in A Major, Op. 1, No. 5: II. Tempo di minuetto. Grazioso | Giacomo Scinardo |
12 | Piano Sonata in E Major, Op. 1, No. 6: I. Moderato | Giacomo Scinardo |
13 | Piano Sonata in E Major, Op. 1, No. 6: II. Rondeau. Grazioso | Giacomo Scinardo |
14 | Piano Sonata in E-Flat Major, Op. 7, No. 1: I. Allegro | Giacomo Scinardo |
15 | Piano Sonata in E-Flat Major, Op. 7, No. 1: II. Mesto | Giacomo Scinardo |
16 | Piano Sonata in E-Flat Major, Op. 7, No. 1: III. Allegretto spiritoso – Allegro – Tempo 1 | Giacomo Scinardo |
17 | Piano Sonata in C Major, Op. 7, No. 2: I. Allegro | Giacomo Scinardo |
18 | Piano Sonata in C Major, Op. 7, No. 2: II. Allegretto con espressione – Allegro | Giacomo Scinardo |
19 | Piano Sonata in G Minor, Op. 7, No. 3: I. Allegro espressivo | Giacomo Scinardo |
20 | Piano Sonata in G Minor, Op. 7, No. 3: II. (Adagio) cantabile | Giacomo Scinardo |
21 | Piano Sonata in G Minor, Op. 7, No. 3: III. Allegro agitato | Giacomo Scinardo |
22 | Piano Sonata in F Minor, Op. 13, No. 6: I. Allegro agitato | Giacomo Scinardo |
23 | Piano Sonata in F Minor, Op. 13, No. 6: II. Largo e sostenuto | Giacomo Scinardo |
24 | Piano Sonata in F Minor, Op. 13, No. 6: III. Presto | Giacomo Scinardo |
25 | Piano Sonata in F-Sharp Minor, Op. 25, No. 5: I. Piùttosto allegro con espressione | Giacomo Scinardo |
26 | Piano Sonata in F-Sharp Minor, Op. 25, No. 5: II. Lento e patetico | Giacomo Scinardo |
27 | Piano Sonata in F-Sharp Minor, Op. 25, No. 5: III. Presto | Giacomo Scinardo |
28 | Piano Sonata in B Minor, Op. 40, No. 2: I. Molto adagio e sostenuto | Giacomo Scinardo |
29 | Piano Sonata in B Minor, Op. 40, No. 2: II. Allegro con fuoco, e con espressione | Giacomo Scinardo |
30 | Piano Sonata in B Minor, Op. 40, No. 2: III. Largo, mesto e patetico | Giacomo Scinardo |
31 | Piano Sonata in B Minor, Op. 40, No. 2: IV. Allegro – Tempo primo – Presto | Giacomo Scinardo |
32 | Piano Sonata in G Minor, Op. 50, No. 3, “Didone abbandonata”: I. Largo patetico e sostenuto | Giacomo Scinardo |
33 | Piano Sonata in G Minor, Op. 50, No. 3, “Didone abbandonata”: II. Allegro, ma con espressione, deliberando e meditando | Giacomo Scinardo |
34 | Piano Sonata in G Minor, Op. 50, No. 3, “Didone abbandonata”: III. Adagio dolente | Giacomo Scinardo |
35 | Piano Sonata in G Minor, Op. 50, No. 3, “Didone abbandonata”: IV. Allegro agitato e con disperazione | Giacomo Scinardo |
专辑简介:本集由意大利钢琴家贾科莫・辛卡纳多(Giacomo Scinardo)演奏。辛卡纳多1983 年 12 月 27 日出生于意大利帕特诺(Paternò),现居住在卡塔尼亚(Catania)。毕业于卡塔尼亚的白利尼音乐院,之后追随法国钢琴家昂特蒙(Phillip Entremont)与澳洲钢琴家莱斯里・霍华德(Leslie Howard)学习。除了以独奏家的身份巡回各地演出,也于世界各地开设大师班传授演奏心得。2017年「拨奏杂志」(Pizzicato Magazine)如此评论:「辛卡纳多不仅演奏才华出众,而且展现了高度的音乐敏锐性。」专辑中,辛卡纳多特别挑选了同样具有意大利血统的作曲家克雷门第(Muzio Clementi, 1752-1832)的作品。克雷门第是十八世纪80-90年代最杰出的钢琴家,拥有「钢琴之父」的美誉。继前人之后,在钢琴演奏史上竖立另一个里程碑。着有钢琴练习曲「迈向帕尔纳斯的阶梯」(Gradus ad Parnassum)。毕生致力于钢琴教学,并多次前往欧洲各地举行音乐会。一生写有许多练习曲,着重于训练手指的灵活性和力量,是出版富有系统性钢琴教材的先锋。克雷门第早年在罗马追随教堂乐师学习管风琴与和声,九岁时已能登台演奏管风琴。1766年到伦敦学习,并参加演出,备受赞赏。他于1773年出版的三首钢琴奏鸣曲是古典钢琴奏鸣曲的最后定型。1777年任意大利歌剧院指挥,后定居伦敦。彻尔尼曾向克雷门第求教,并将心得编入自己的作品「新迈向帕尔纳斯的阶梯」(Nouveau Gradus ad Parnassum)向其致意。而贝多芬与肖邦的钢琴作品也受其影响。而德布西《儿童天地》钢琴曲集中的第一乐章:老顽固(Doctor Gradus ad Parnassum)的创作素材便是引用自「迈向帕尔纳斯的阶梯」。克雷门第创作过大约110首钢琴奏鸣曲,一些早期创作较易奏的作品,则被归类成「小奏鸣曲」(sonatina)。其余的作品则比莫扎特的奏鸣曲更难演奏。在他写给姐姐的信中就表示:希望她不要演奏克雷门第的奏鸣曲,因为作品中音符的跳动、指法伸展的幅度与宽广的和弦,可能会伤害她自然轻盈的双手。辛卡纳多计划完成克雷门第所有奏鸣曲的录音,在第一册中,他挑选了著名的「被遗弃的狄多」(Didone abbandonata),作品50/3,以及一些较不知名的作品。无论是专业或业余演奏家,克雷门第的钢琴奏鸣曲都是必备的训练教材。由此观之,这些作品少见的新录音绝对具有音乐鉴赏的高度价值。【收录曲目】CD1Sonatas op. 1Sonata I (E-flat major)1. Allegro con comodo2. Tempo di MinuettoSonata II (G major)1. Spiritoso2. Allegro assaiSonata III (B-flat major)1. Maestoso2. Andantino graziosoSonata IV (F major)1. Spiritoso2. Larghetto3. RondeauSonata V (A major)1. Larghetto2. Tempo di minuetto: graziosoSonata VI (E major)1. Moderato2. Rondeau: graziosoSonatas op. 7Sonata I (E♭ major)1. Allegro2. Mesto3. Allegretto spiritoso – Allegro – Tempo 1Sonata II (C major)1. Allegro2. Allegretto con espressione – AllegroSonata III (G minor)1. Allegro espressivo2. [Adagio] Cantabile3. Allegro agitatoCD2Sonata in F Minor, Op. 13, No. 61. Allegro agitato 2. Largo e sostenuto3. PrestoSonata in F-Sharp Minor, Op. 25, No. 51. Piùttosto allegro con espressione2. Lento e patetico+3. PrestoSonata in B Minor, Op. 40, No. 21. Molto adagio e sostenuto2. Allegro con fuoco, e con espressione3. Largo, mesto e patetico4. Allegro – Tempo primo – PrestoSonata in G Minor, Op. 50, No. 3, "Didone abbandonata"1. Largo patetico e sostenuto2. Allegro, ma con espressione, deliberando e meditando3. Adagio dolente4. Allegro agitato e con disperazione