# | 歌曲名称 | 艺术家 |
---|---|---|
1 | Symphony No .1 in C Major, Op. 21 :1. Adagio molto-Allegro con brio | Takashi Asahina & Osaka Philharmonic Orchestra |
2 | Symphony No .1 in C Major, Op. 21:2. Andante cantabile con moto | Takashi Asahina & Osaka Philharmonic Orchestra |
3 | Symphony No .1 in C Major, Op. 21:3. Menuetto: Allegro molto e vivace | Takashi Asahina & Osaka Philharmonic Orchestra |
4 | Symphony No .1 in C Major, Op. 21:4. Adagio – Allegro molto e vivace | Takashi Asahina & Osaka Philharmonic Orchestra |
5 | Symphony No. 2 in D Major, Op. 36:1. Adagio molto – Allegro con brio | Takashi Asahina & Osaka Philharmonic Orchestra |
6 | Symphony No. 2 in D Major, Op. 36:2. Larghetto | Takashi Asahina & Osaka Philharmonic Orchestra |
7 | Symphony No. 2 in D Major, Op. 36:3. Scherzo. Allegro | Takashi Asahina & Osaka Philharmonic Orchestra |
8 | Symphony No. 2 in D Major, Op. 36:4. Allegro molto | Takashi Asahina & Osaka Philharmonic Orchestra |
9 | Symphony No. 3 in E-Flat Major, Op. 55 Eroica:1. Allegro con brio | Takashi Asahina & Osaka Philharmonic Orchestra |
10 | Symphony No. 3 in E-Flat Major, Op. 55 Eroica:2. Marcia funebre. Adagio assai | Takashi Asahina & Osaka Philharmonic Orchestra |
11 | Symphony No. 3 in E-Flat Major, Op. 55 Eroica:3. Scherzo. Allegro vivace | Takashi Asahina & Osaka Philharmonic Orchestra |
12 | Symphony No. 3 in E-Flat Major, Op. 55 Eroica:4. Finale. Allegro molto | Takashi Asahina & Osaka Philharmonic Orchestra |
13 | Symphony No. 4 in B-Flat Major, Op .60:1. Adagio – Allegro vivace | Takashi Asahina & Osaka Philharmonic Orchestra |
14 | Symphony No. 4 in B-Flat Major, Op .60:2. Adagio | Takashi Asahina & Osaka Philharmonic Orchestra |
15 | Symphony No. 4 in B-Flat Major, Op .60:3. Allegro vivace – Un poco meno allegro | Takashi Asahina & Osaka Philharmonic Orchestra |
16 | Symphony No. 4 in B-Flat Major, Op .60:4. Allegro ma non troppo | Takashi Asahina & Osaka Philharmonic Orchestra |
17 | Symphony No.5 in C Minor, Op. 67:1. Allegro con brio | Takashi Asahina & Osaka Philharmonic Orchestra |
18 | Symphony No.5 in C Minor, Op. 67:2. Andante con moto | Takashi Asahina & Osaka Philharmonic Orchestra |
19 | Symphony No.5 in C Minor, Op. 67:3. Allegro | Takashi Asahina & Osaka Philharmonic Orchestra |
20 | Symphony No.5 in C Minor, Op. 67:4. Allegro | Takashi Asahina & Osaka Philharmonic Orchestra |
21 | Symphony No.6 in F Major, Op. 68 Pastorale:1. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande: Allegro ma non troppo | Takashi Asahina & Osaka Philharmonic Orchestra |
22 | Symphony No.6 in F Major, Op. 68 Pastorale:2. Szene am Bach: Andante molto mosso | Takashi Asahina & Osaka Philharmonic Orchestra |
23 | Symphony No.6 in F Major, Op. 68 Pastorale:3. Lustiges Zusammensein der Landleute: Allegro | Takashi Asahina & Osaka Philharmonic Orchestra |
24 | Symphony No.6 in F Major, Op. 68 Pastorale:4. Gewitter, Sturm: Allegro | Takashi Asahina & Osaka Philharmonic Orchestra |
25 | Symphony No.6 in F Major, Op. 68 Pastorale:5. Hirtengesang-Frohe und dankbare Gefuhle nach dem Sturm: Allegretto | Takashi Asahina & Osaka Philharmonic Orchestra |
26 | Symphony No.7 in A Major, Op. 92:1. Poco sostenuto – Vivace | Takashi Asahina & Osaka Philharmonic Orchestra |
27 | Symphony No.7 in A Major, Op. 92:2. Allegretto | Takashi Asahina & Osaka Philharmonic Orchestra |
28 | Symphony No.7 in A Major, Op. 92:3. Presto | Takashi Asahina & Osaka Philharmonic Orchestra |
29 | Symphony No.7 in A Major, Op. 92:4. Allegro con brio | Takashi Asahina & Osaka Philharmonic Orchestra |
30 | Symphony No. 8 in F Major, Op. 93:1. Allegro vivace e con brio | Takashi Asahina & Osaka Philharmonic Orchestra |
31 | Symphony No. 8 in F Major, Op. 93:2. Allegretto scherzando | Takashi Asahina & Osaka Philharmonic Orchestra |
32 | Symphony No. 8 in F Major, Op. 93:3. Tempo di menuetto | Takashi Asahina & Osaka Philharmonic Orchestra |
33 | Symphony No. 8 in F Major, Op. 93:4. Allegro vivace | Takashi Asahina & Osaka Philharmonic Orchestra |
34 | Symphony No. 9 in D Minor, Op. 125 Choral:1. Allegro ma non troppo, un poco maestoso | Takashi Asahina & Osaka Philharmonic Orchestra |
35 | Symphony No. 9 in D Minor, Op. 125 Choral:2. Molto vivace | Takashi Asahina & Osaka Philharmonic Orchestra |
36 | Symphony No. 9 in D Minor, Op. 125 Choral:3. Adagio molto e cantabile | Takashi Asahina & Osaka Philharmonic Orchestra |
37 | Symphony No. 9 in D Minor, Op. 125 Choral:4. Presto Recitativo | Takashi Asahina & Osaka Philharmonic Orchestra |
38 | Symphony No. 9 in D Minor, Op. 125 Choral:Presto-allegro assai, Final Chorus from An die Freude | Takashi Asahina & Osaka Philharmonic Orchestra |
专辑简介:专辑《贝多芬: 交响曲全集(Beethoven Sym. All)》涵盖了6张CD,朝比奈隆(Takashi Asahina) 指挥大阪爱乐乐团(Osaka Philharmonic Orchestra)演奏了贝多芬9首交响曲。然而《贝多芬第九交响曲(Symphony No. 9 in D Minor, Op. 125 Choral)》是朝比奈隆有生之年的最后一次指挥,这是2000年日本的重大音乐事件。他做了一些改变,朝比奈隆第九交响曲的合唱部分只在第四乐章后半部分出现,合唱团员如果从全曲开始时坐在合唱席,就要“干坐”40分钟左右,因此很多指挥家在指挥该曲时,大多是在乐章之间让合唱团员入场,但朝比奈在与新日本爱乐演出时,要求合唱团员从全曲开始前就全部就位从而进入状态。这是朝比奈隆在音乐处理方面的灵活性,也许是受到他极为崇敬的富特文格勒对于作品并不刻板处理的影响使然。在朝比奈隆的着述、采访和谈话中,言及最多的指挥家是富特文格勒与近卫秀麿,而几乎不提托斯卡尼尼。他对富特文格勒绝不呆板僵化的诠释和处理手法十分赞赏,按着他自己的说法,他曾在1953年见过富特文格勒并听过其指挥柏林爱乐的布鲁克纳《第四交响曲》,留下十分深刻的印象。在他的指挥生涯中,受到富特文格勒指挥风格的深刻影响,无论是有意还是无意,都有模仿富特文格勒的痕迹,当然最主要的特点,是并不严格按照总谱去演奏,而是每次都有新意,从而创造出具有时代感的活性音乐。在谈及贝多芬《第九交响曲》时,朝比奈隆说道:“创作这首作品时,据说他(贝多芬)已经完全听不到任何声音,但他一定是另有所闻和另有所见,才写出如此不朽的篇章。我只能这样理解,在那个时候,他看到了‘神光’,听到了‘神音’。”指挥家简介:朝比奈隆(1908年7月9日-2001年12月29日),日本指挥家。在日本非常受尊敬。他善于指挥贝多芬,布鲁克纳的作品。他录制的贝多芬交响曲全集达7次之多。朝比奈隆指挥风格刚劲有力,尊贵典雅,尤其擅长贝多芬,勃拉姆斯和布鲁克纳。1969年他获得日本政府颁发的紫带勋章,1989年获得艺术功臣称号,1994年获得文化奖章。此外他曾于1976年获得日本艺术学院奖。朝比奈隆出生于东京,从京都大学法律系毕业后在函馆铁路公司工作了两年,随后的1936年便开始其指挥生涯。他曾跟随因十月革命流亡日本的俄罗斯音乐家埃玛纽埃尔·迈特(Emmanuel Metter)学习。第二次世界大战后朝比奈隆参与创建了Kansai爱乐乐团——1947年正式改名为大阪爱乐乐团——并担任终生首席指挥和音乐总监。朝比奈隆始终活跃在海内外乐坛。1951年带领乐团到欧洲巡回演出,1956年指挥柏林爱乐乐团从60年代开始,他就经常和北德广播交响乐团合作。1996年10月他两次赴邀指挥芝加哥爱乐乐团(Chicago Philharmonic Orchestra)。